| January 11th 2004, 
                            just under a year since Queens of the Stone Age had 
                            last been in Western Australia. On that occasion, it 
                            was as part of the Big Day Out carnival, a mere 45 
                            minutes to show why they’re regarded as one of the 
                            premier rock bands in the world. The band promised 
                            they’d be back soon and they were true to their 
                            word. After a mammoth world tour, we were fortunate 
                            enough to be the final frontier. The gig was 
                            re-scheduled from the night before, and moved from 
                            the more intimate Belvoir Amphitheatre to Metro 
                            City. The Distillers were replaced by local band The 
                            M-16’s as support act. The venue was jam-packed even 
                            before the first chords were struck. Supporting 
                            QOTSA is never an easy task, The M-16’s had the 
                            unenviable job, but did a decent job of it, keeping 
                            the mood up while showcasing a good majority of 
                            their material. It was a long wait, but well 
                            worth it in the end. Josh came rolling out, his 
                            giant 195cm frame not hard to notice. Troy and Joey 
                            following, and Nick in nothing but a black 
                            mini-skirt, but nothing he does surprises us 
                            anymore! A quick welcome and then straight into it, 
                            the opening bass line of Feel Good Hit of the Summer 
                            opening proceedings. It’s been slightly revamped, 
                            but sounds better than ever, even though it’s been a 
                            constant in QOTSA’s setlists of recent years. This 
                            was followed by another classic from ‘Rated R’, The 
                            Lost Art of Keeping a Secret, surprising to hear it 
                            so early but no one was complaining. ‘Songs For The 
                            Deaf’ is the latest gem of an album this band have 
                            released, and the majority of it was played, Go With 
                            the Flow being the first, brutal guitar and drums at 
                            its best. Yes, it was going to be one of those 
                            nights. Do It Again had the crowd shouting along 
                            with Nick to the opening ‘HEY!’ and the crashing 
                            bodies in the crowd were more common by now.  Amongst this, it was a pleasant 
                            surprise that for a band with an impressive back 
                            catalogue, QOTSA can still throw in some of the 
                            older and rarer tracks when other bands would have 
                            thrown them on the scrap-heap years ago. Ode to 
                            Clarissa, If Only and The Bronze all got an early 
                            look in, the latter showing Josh at his best, 
                            playing a catchy and dynamic solo. Nick got to 
                            display his impressive vocal skills with Quick & To 
                            the Pointless as well as Six Shooter, a rarely 
                            played song but explosive throughout. Sky Is Fallin’ 
                            and Leg of Lamb also featured, but it was Gonna 
                            Leave you that was one of the highlights of the 
                            evening. The whole crowd was really into it by now, 
                            this was one of the songs that unfortunately didn’t 
                            get played at BDO 03’, tonight made up for it. It had to happen, it was only a 
                            matter of when. Mark Lanegan came strolling out from 
                            the darkness and added his unique vocals to the mix. 
                            The former Screaming Trees frontman has been more 
                            than a bit-part player, he had a major input on SFTD, 
                            no solo shows from him on this tour sadly so the 
                            next half hour or so was to be savoured. Hangin’ 
                            Tree was the first track of the new phase with Troy 
                            displaying his talents on the slide guitar, another 
                            of those songs that takes on a much different effect 
                            when played live. Another Love Song was next up, 
                            followed by a couple more rarities, You’re So Vague 
                            which is a B-Side on the Feel Good…EP, and Precious 
                            and Grace, the only cover of the night. This was 
                            played in-between two standouts from the most recent 
                            offering, A Song For the Dead was easily the most 
                            powerful track of the night. Joey and Troy standing 
                            out amongst six and a half minutes of brutal rock. 
                            The front of the mosh-pit was carnage by now, there 
                            was much sweat and plenty of bruised, battered 
                            bodies. A Song For the Deaf, introduced by its 
                            haunting bass and guitar was to be the last we’d see 
                            of Lanegan who walked straight back into the 
                            shadows, hopefully we’ll see much more of him in 
                            future QOTSA releases and tours. It was time to cure the head, and 
                            there’s no better way than the final number from 
                            ‘Rated R’, I Think I Lost my Headache with its 
                            monster guitar riff. No trumpets and jazz to end it, 
                            but why complain when the band roll straight into No 
                            One Knows? By now, the whole arena was jumping, Nick 
                            chose to fore-go the solo bass line, instead 
                            choosing to treat us by trashing his guitar, kicking 
                            over a few speakers and then storming off stage. 
                            Staged or not, it didn’t matter. Josh gave us a 
                            cranking solo amongst some fierce drum pounding by 
                            the giant Mexican, before they, as well as Troy 
                            finished off the song, thanked the audience and 
                            headed off, while lapping up a huge roar of approval 
                            from the audience.  QOTSA often come out and play a 
                            strong, feel good encore when it’s one of those very 
                            special concerts. Fortunately for all who were 
                            there, tonight was one of those occasions. The band 
                            returned, Nick choosing to discard his skirt and 
                            throwing it into the crowd, before covering his 
                            manhood with his bass. Whether it was the same one 
                            he’d shown to the ground not long earlier, I don’t 
                            know. But it was straight into the opening drum-beat 
                            of Millionaire, the first track off Songs For the 
                            Deaf. Josh then decided it was time for a couple of 
                            dance numbers, Monsters in the Parasol was mainly 
                            used as the opening track of their tours in 2002, 
                            but found itself off a lot of setlists of recent. 
                            Tonight it was toned down a bit, but its catchy 
                            chorus and monster drums (excuse the pun) got 
                            everyone going. It’s forgivable if you had forgotten 
                            that QOTSA actually released an album before ‘Rated 
                            R.’ With the amount of material they currently have, 
                            most of their self-titled album doesn’t get a look 
                            in. Avon was only the second track played, it kept 
                            with the dance theme and featured Joey performing a 
                            better than normal drum solo. Josh used the moment 
                            to invite the crowd to get nude, one girl jumped 
                            onto the stage and was about to use his words 
                            wisely. Unfortunately, a heartless drongo of a 
                            security guard put paid to this rare special moment 
                            by hauling her off stage. Fortunately, the band 
                            rolled into First It Giveth, most recent single and 
                            a crowd favourite. And with it, a long tour was over 
                            for the LA rockers. It’s unlikely that we’ll see 
                            Queens of the Stone Age in just under a years time 
                            again. It would be easy to say the band are taking a 
                            well earned break, but Nick has a tour with his 
                            band, Mondo Generator and Josh resumes his drumming 
                            duties with The Eagles of Death Metal. Apparently 
                            the band have somehow already had time to write a 
                            follow-up to Songs For the Deaf. Over 20 songs have 
                            been penned, with more to come and hopefully it will 
                            be recorded in the not-so-distant future. If it’s 
                            anything like the three albums before it, we’re all 
                            in for a treat. Josh has actually said this new 
                            material is better than anything written on Songs 
                            For the Deaf, scary words but this is one band that 
                            follows up its words with action. It won’t 
                            disappoint. After the way they blew us all away on 
                            the night of January 11th, all I can say 
                            is bring it on! Kieran Fernandez |